ΤΡΙΤΗ 20/12/2016 (11.00-15.00)
11.30: Γιώργος Κουτσούρης (Royal Academy of Fine Arts Copenhagen/ODEON, Denmark)
Παρουσίαση του προγράμματος προσομοίωσης Ακουστικής Χώρων ODEON
12.30: Δρ. Αρετή Ανδρεοπούλου, (Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών)
3D ήχος: τεχνολογικές εξελίξεις στην αμφιωτική ηχητική Αναπαραγωγή
13.30 : Δρ. Αγλαΐα Φωτεινού (University of Wolverhampton, UK):
H Ακουστική του Στούντιο LabMAT.
ΤΕΤΑΡΤΗ 21/12/2016 (11.00-15.00)
11.00: Δρ. Χρήστος Οικονόμου (Πανεπιστήμιο Αιγαίου): Aκουστική οικολογία και μελέτη της Ορνιθοπανίδος LSRPD (Lesvos Soundscape Recording Project Database)- the early days.
Ανάπτυξη των πρωτοκόλλων καταγραφής και παραδείγματα
12.30: Ασπρομάλλης Xριστόδουλος (University College London, UK):
Procedural music engine for video games
WORKSHOP
14.00-17.00: Workshop: Making music for video games (Xριστόδουλος Ασπρομάλλης)
TETAΡΤΗ 21/12/2016 (09.00-12.00)
Βαγγέλη Καλαμπάκας (σκηνοθέτης):
Ακούγοντας την εικόνα
Οι Διάλεξεις θα γίνουν στο STUDIO 310 η στην 918.
ΑΝΟΙΚΤΟ ΣΤΟΥΣ ΦΟΙΤΗΤΕΣ ΤΟΥ ΤΜΣ
-The Art of Digital Audio Recording
- Bytes & Backbeats: Music in the digital age
Dr. Steve Savage, University of California
THURSDAY 19/5/2016 (9.00-12.00)
THURSDAY 26/5/2016 (9.00-12,00)
Workshop 1: The Art of Digital Audio Recording
This workshop explores the applied music techniques used on contemporary digital recordings. Topics discussed will include:
Recording environments
Microphones, mixers and speakers
Mic techniques
EQ, Compression, Delay and Reverb
Digital editing, mixing and mastering
Secrets to running a recording session
How to transition from student to intern to recording engine
TUESDAY 17/5/2106 (9.00-12.00)
TUESDAY 24/5/2016 (9.00-12.00)
Workshop 2: Bytes & Backbeats: Music in the digital age.
This workshop explores the cultural relationships of music creation and distribution where digital technology dominates the landscape. Topics discussed will include:
In defense of auto-tune
Creating the hyperreal in classical music recordings Lipsmacks, mouth noises and heavy breathing Why Music is Easy: Hit song science The Benefits of Fraud: Art and artifice in popular music recordings Ignorance is Bliss: Capturing the unintentional performance The Scrubber Tool:
Analogue antecedents of the digital audio workstation.
Οι φοιτητές που θα παρακολουθήσουν το σεμινάριο θα πάρουν βεβαίωση παρακολούθησης.
INTERACTIVE MUSIC SYSTEMS :
THE BODYCODER SYSTEM
21 and 24 February 2016
Lectures and seminar to the Master’s students
Dr Mark Bokowiec & Dr Julie Wilson-Bokowiec will give a presentation about their interactive electro-acoustic music practice with the Bodycoder System.Dr Mark Bokowiec will discuss the technical and compositional methodologies used in the realization of interactive compositions for performer and Bodycoder System, with particular reference to the choices made with regard to the mapping of sensor elements and Kinaesonics: the coding of real-time one-to-one mapping of sound, sound processing and spatialization to gesture and its expression in terms of hardware and software design.
Mark will also talk about the evolution of his interactive practice developed over the last 20 years.
Dr Julie Wilson-Bokowiec will talk about the specific skills of the
performer: musical, gestural and perceptual associated with live interaction and her work with the Bodycoder System. Julie will outline the links between dialogue and interaction, feedback loops, psychoanalysis and cybernetics as she sees it, and will discuss the greater social and cultural significance of interactive practice as a means of gaining insights and understandings with regard to the self within society.
